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Who do you want to win the RIBA Stirling Prize 2024?

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The AJ is asking readers to vote for their favourite project on this year's RIBA Stirling Prize shortlist

The results of the poll – click here to take the survey – will be announced in October.

Bookmaker William Hill has already made London’s new £19 billion rail route, The Elizabeth Line, its early favourite to win the 2024 RIBA Stirling Prize, with its odds shortening from a starting price of 7/4 to just 6/4.

The mammoth project was designed by a raft of architects to line-wide designs by Grimshaw and is one of six finalists in the running for the UK’s highest architectural accolade.

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The list also includes the two decades-long King’s Cross Masterplan by Allies and Morrison and Porphyrios Associates, which has slipped back from the bookies’ second favourite at 3/1 to join Al-Jawad Pike's Choudhury Walk social housing scheme in Hackney. Now both are offered with odds of 4/1.

Going in the other direction, previous winner Mikhail Riches Architects’ work on Sheffield’s Park Hill estate has seen its odds shift from 7/1 to 9/2.

Meanwhile, the National Portrait Gallery refurbishment by Jamie Fobert Architects and Purcell is now at 13/2.

Clementine Blakemore Architects’ Wraxall Yard project – a conversion of a Dorset dairy farm into holiday accommodation – remains priced by the bookmaker at 7/1.

In 2022, AJ readers correctly predicted that Níall McLaughlin Architects’ The New Library building at Magdalene College in Cambridge would win that year’s Stirling Prize.

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The winner of the 2024 prize will be announced on 16 October.

Vote for your 2024 winner here

Odds to win the Stirling Prize – as of 28 August

6/4 The Elizabeth Line, London Underground by Grimshaw, Maynard, Equation, Atkins et al

Source:Hufton + Crow

Judges’ comments ‘A transport tour de force. A mammoth feat of construction and collaboration, The Elizabeth Line creates a familiar yet significantly improved experience, with a slick line-wide identity, for the 200 million passengers it carries each year.’


4/1 King’s Cross Masterplan, London by Allies and Morrison and Porphyrios Associates

Source:John Sturrock

Judges’ comments ‘A successful piece of city-making, 20 years in the making. The redevelopment is a remarkable reintegration and regeneration of a former industrial wasteland in the heart of London. New streets, squares, offices, schools, university facilities and accommodation sit alongside thoughtfully restored historic structures.’


4/1 Chowdhury Walk, Hackney, London by Al-Jawad Pike

Source:Rory Gardiner

Judges’ comments ‘An exemplary blueprint for social housing. Built on a plot previously occupied by garages and ad-hoc parking, these 11 homes – of which seven are social rented – herald the development of a new generation of ambitious council housing in Hackney.’


9/2 Park Hill Phase 2, Sheffield by Mikhail Riches Architects

Source:Rory Gardiner

Judges’ comments ‘The second phase of the ongoing regeneration of Europe’s largest listed structure features internal spaces modernised through open plan designs and the addition of balconies. A fresh colour palette blends with the estate’s original concrete and preserves its design heritage.’


13/2 National Portrait Gallery, London by Jamie Fobert Architects and Purcell

Source:Jim Stephenson

Judges’ comments ‘This reimagination of a Grade I*-listed cultural institution is a seamless blend of contemporary design and conservation of historical elements. A welcoming new entrance reorientates the gallery towards London’s bustling West End. Crucial accessibility alterations have opened the building to all.’


7/1 Wraxall Yard, Dorset by Clementine Blakemore Architects

Source:Emma Lewis

Judges’ comments ‘An inclusive and accessible rural retreat. A run-down Dorset dairy farm has been sensitively repaired and converted into holiday accommodation with access to wildlife and farming. The development offers extensive yet discreet accessible features, providing disabled guests – particularly wheelchair users – with a high degree of independence.’

One comment

  1. Is the Elizabeth line actually good, or just big? Every comment seems to only reference it’s scale. Plus: the ‘line wide identity’ goes against Leslie Green’s original principles- which were developed for good reason.

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