Sheppard Robson unveils plans for £250m Cambridge science park
Sheppard Robson has revealed plans for a £250 million office and laboratory scheme to house about 75 life sciences and tech businesses south of Cambridge
By Kit Heren 30 March 2023 7,317 Views
Sheppard Robson has revealed plans for a £250 million office and laboratory scheme to house about 75 life sciences and tech businesses south of Cambridge
By Will Ing 8 July 2022 6,793 Views
Heatherwick Studio’s revised designs for retail units at Google’s King’s Cross headquarters have been approved
By Hattie Hartman 27 April 2022 1,065 Views
Architect and environmental design expert Judit Kimpian discusses energy security, spiralling energy costs and her book, Energy|People|Buildings – win one of three copies in our giveaway
By Hattie Hartman 5 April 2022 1,276 Views
Structural engineer Hanif Kara, co-founder of AKT II, shares insights from his new book on CLT yet argues that concrete is here to stay
By Fran Williams. Photography by Nick Cane 20 January 2022 10,419 Views
The first images of Grafton’s landmark Marshall Building for the London School of Economics and Political Science (LSE) have been released
By Richard Waite 4 January 2022 4,961 Views
Selasi Setufe has been made an MBE for her services to diversity in architecture in the Queen’s 2022 New Year’s Honours
By Richard Waite 24 September 2021 1,068 Views
A demountable Bamboo sculpture which first appeared on the Sussex coast has found a new temporary home outside the office of engineers AKT II in London’s Old Street
By Merlin Fulcher 8 April 2021 6,235 Views
The six teams shortlisted in an open international competition for an upgrade of the Grade I-listed Sainsbury Wing at the National Gallery in central London have been announced
By Kate Youde 26 November 2020 1,893 Views
Sam Jacob Studio has teamed up with engineers AKT II on a new festive installation in London’s Granary Square
By Ike Ijeh. Photography by Hufton + Crow 19 November 2020 13,077 Views
The practice’s first foray into healthcare exemplifies its showmanship while meeting users’ emotional needs, writes Ike Ijeh